Filme Negativo Preto e Branco Pan 400 de Alta Velocidade, 35mm

The wide exposure latitude really saved me — I accidentally underexposed half the roll and the shadows still came out with detail. Grain stays tight and sharp through the mid-tones, which is all I want from a 400-speed film.

Shot a whole roll in flat midday light and the shadows still held plenty of detail, which is exactly what I needed from a 400-speed stock. The tonal range on faces came out beautifully smooth, and the wide exposure latitude meant a few careless frames were totally forgiving. For the price, this is m

Shot a whole roll in mixed lighting – overcast afternoon then a dimly lit café – and the wide exposure latitude really saved my hide. Negatives came out with that classic fine grain look, sharp enough to crop into for prints. This is my new go-to for street work.