CineStill Pro Film Carrier 120 MK2 Review: The Ultimate Tool for Medium Format Scanning

Scanning medium format film at home has long been a challenge for photographers. Flatbed scanners often lack the resolution to do justice to 120 film's detail, while dedicated film scanners can be prohibitively expensive. Enter the CineStill Pro Film Carrier 120 MK2, a purpose-built solution for DSLR (or mirrorless) scanning that promises to make the process faster, easier, and more consistent.

In this review, we'll take a close look at the Pro Film Carrier 120 MK2's build, workflow, and image quality. We'll also compare it to other methods and share tips for getting the best results with your medium format negatives.

Design and Build Quality

The CineStill Pro Film Carrier 120 MK2 is constructed from precision-machined aluminum and high-quality plastics. It feels solid and durable, with smooth gliding mechanisms that hold film flat. The carrier accepts both 120 and 220 film strips, and it can handle up to four frames at a time (depending on frame spacing). The adjustable tension system ensures that even curly or older film lies perfectly flat, which is critical for sharp scans.

One standout feature is the built-in diffuser. The carrier includes a removable light diffuser that sits above the film, providing even illumination when used with a light source. This eliminates the need for a separate diffuser panel and simplifies the setup. The carrier also has markings to help you align the film for consistent framing.

• Precision-machined aluminum and high-quality plastic construction
• Adjustable tension for flat film
• Built-in light diffuser for even illumination

Ease of Use and Workflow

Using the Pro Film Carrier 120 MK2 is straightforward. First, you attach it to your copy stand or tripod using the included Arca-Swiss compatible mounting plate. Then, you slide your film strip into the carrier, adjust the tension, and position it over your light source. The carrier's rails are designed to work with most common light pads, such as the CineStill Light Source or any flat LED panel.

The carrier allows you to quickly advance to the next frame by simply sliding the film strip. This speeds up the scanning process significantly compared to flatbed scanners, where each frame requires repositioning. For tethered shooting, you can capture frames in rapid succession. The included magnetic film holders keep the film secure without scratching.

• Arca-Swiss compatible mounting for easy setup
• Quick slide advance for fast scanning
• Magnetic holders prevent scratching

Image Quality and Results

The primary goal of any film carrier is to produce sharp, dust-free scans. The Pro Film Carrier 120 MK2 excels here. By holding the film perfectly flat and at a consistent distance from the camera lens, it ensures edge-to-edge sharpness. The built-in diffuser eliminates hotspots and provides even backlighting, which is especially important for color negative film.

In our tests, scans taken with the carrier showed excellent detail and contrast, with no Newton rings or glass artifacts. The carrier's design also minimizes the risk of dust settling on the film during scanning, though a quick blast of compressed air before each frame is still recommended. For color work, using a good inversion software like Negative Lab Pro yields stunning results.

• Edge-to-edge sharpness with flat film plane
• No Newton rings or glass artifacts
• Even illumination for accurate color scans

Comparison to Other Scanning Methods

Compared to flatbed scanners like the Epson V850, the Pro Film Carrier 120 MK2 offers significantly higher resolution potential, especially with a high-megapixel camera. While flatbeds are convenient for batch scanning, they often struggle with 120 film's fine grain and can introduce softness. Dedicated film scanners like the Plustek OpticFilm 120 are excellent but cost several thousand dollars.

The CineStill carrier provides a middle ground: it's affordable (typically under $200) and leverages the camera you already own. It also works well with various film stocks, from fine-grained black and white films like FP4 Plus 125 to color films like Ultra Max 400. The carrier's compatibility with different film types makes it a versatile addition to any darkroom.

• Higher resolution than flatbed scanners
• More affordable than dedicated film scanners
• Works with any camera and lens setup

Tips for Best Results

To get the most out of your Pro Film Carrier 120 MK2, follow these tips. First, use a macro lens with a focal length of 50mm to 100mm for optimal sharpness. Second, ensure your light source is bright and even; a CineStill Light Source or a high-CRI LED panel works well. Third, use a remote shutter or self-timer to minimize camera shake. Fourth, shoot in RAW and convert using software like Negative Lab Pro or ColorPerfect.

Additionally, keep your film clean. Use a static brush or compressed air to remove dust before scanning. For curly film, increase the tension on the carrier gently until the film lies flat. Finally, consider using a copy stand with a sturdy column to maintain alignment between frames. With practice, you can scan a roll of 120 film in under 15 minutes.

• Use a macro lens for best sharpness
• Ensure even illumination with a quality light source
• Keep film dust-free for cleaner scans

The CineStill Pro Film Carrier 120 MK2 is a well-designed, practical tool that streamlines medium format scanning without breaking the bank. Its solid construction, thoughtful features, and excellent results make it a worthy investment for any photographer who shoots 120 film. Whether you're scanning fine-grained black and white or vibrant color negatives, this carrier will help you achieve professional-quality scans at home. Ready to upgrade your scanning workflow? Check out the Pro Film Carrier 120 MK2 and other scanning accessories at CineStill Film.