CineStill Film

T6 "TungstenChrome" Cool-Tone 1st Developer

T6 "TungstenChrome" Cool-Tone 1st Developer - Main image
$7 $13.99 In stock

Category: Process

Slide film is ageless. For years, photographers have loaded it into their cameras and created memories that can be viewed as positive images on strips of film or mounted and projected in all their glory. In 2017 Kodak revived the iconic Ektachrome E100 slide film, reigniting the passion for positive.

CineStill is proud to introduce the Cs6 “Creative Slide” 3-Bath Process for color-timing E-6 reversal film, creating three new distinct slide film results - the true wonder of slide film unlocked. This process illuminates unique color profiles never before seen on slide film, effectively turning the tried-and-true standard into 3 totally different films. The Cs6 "Creative Slide" 3-Bath Process makes complicated chemistry simplified alchemy! The number of processing baths for E-6 film is reduced from 6 to 3. The reversal step occurs during color development in a Color&Reversal bath, and the bleach and conditioner steps are combined with the fixing step in a Bleaches&Fixer bath. Color-timing is performed with alternative 1st Developers to achieve full creative control of your slides.

T6 “TungstenChrome” Cool-tone 3200K 1st Developer is one of the 1st Developers of the Cs6 “Creative Slide” 3-Bath Process. Renders approximately 6+ stops of usable dynamic range. Tungsten-balanced 3200K for artificial light or cool-tone E100T slides. Also works great for push processing in limited light! 1000ml stock solution makes 2000ml of single-use working solution (1+1 dilution) to develop up to 16 rolls or 100ft of slide film. 1+1 Dilution 6min @104°F (40°C).

Intended to be used with the Cr6 "Color&Reversal" 2-in-1 Slide Solution and the Bf6 "Bleaches&Fixer" 3-in-1 Slide Solution for the full 3-bath Cs6 process.

 

Photo by Stephen Schaub on Kodak E100 pushed to EI 800 in T6 1st developer


MIXING STOCK SOLUTION

  1. Place 600-700ml of water into a clean glass or plastic pitcher.
  2. Use a clean plastic stir stick or the TCS-1000 to circulate the liquid.
  3. While circulating, add the contents of the powder packet.
  4. Top off solution with water to make 1000ml. Mix well.

Store mixed solution in a tightly capped, completely filled storage container for up to 2-6 weeks. Yellows with age and turns amber when perished. Oxygen and contaminants cause developing agents to perish.

Cool-Tone Development: 1+1 Dilution ~ 6min @104°f (40°C)
Push +1: Stock Solution ~ 6min or 1+1 Dilution ~8min
Push +2: Stock Solution ~ 8min

Maintaining temperature is not essential beyond the completion of the 1st developer step. When a temperature control bath is not available, simply preheat the 1st Developer +2ºF warmer, and the other baths will automatically process-to-completion as they cool down. Only the 1st developer is time and temperature critical because it controls contrast and color.

* ”Usable dynamic-range” is the amount of full stops of exposure value that renders acceptable detail and color. “Total dynamic-range” however, is the maximum range containing tonal separation rendering any detail, and is often twice the usable dynamic-range. The usable dynamic-range of conventional slide film is between 6-8 stops (total 14-16 stops). Color negative is between 9-13 stops (total 16-21 stops). Digital sensors are mostly between 7-10 stops (total 12-15 stops).

 

No Compromises - Cs6 3-Bath Process vs. E6 6-Bath Processing...

Download Cs6 Quart Kit Complete PDF Instructions

Download T6 "TungstenChrome" 1st Developer Safety Data Sheet

Photochemical Waste Management

Customer Reviews (5.0 / 5 · 5 reviews)

Chloe B. ★★★★★

The first run I did with this developer gave me slide images with that crisp, cool neutrality I've been chasing—blues stayed blue without any muddy crossover. It mixed easily and the working time felt forgiving enough for a first-timer, so the whole tray session was stress-free.

Edward ★★★★★

It’s been a while since I’ve seen my Fuji slides pop like this—the cool-tone balance is spot-on, and my projector shots look crisp instead of washed out. Processing times were simple to follow, and the whole run came out even. That’s a win in my book.

William Q. ★★★★★

My E-6 batches have never looked this clean—the tungsten-balanced formulation nails the cool tones right out of the gate, and the developer mixed up without a single clump. I developed ten rolls over two sessions and the highlights stayed crisp with no color crossover.